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		<title>Introducing TapNTempo &#8211; a customizable metronome for Macintosh</title>
		<link>http://jnote.org/2882</link>
		<comments>http://jnote.org/2882#comments</comments>
		<pubDate>Wed, 26 Oct 2011 17:59:49 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
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		<guid isPermaLink="false">http://jnote.org/?p=2882</guid>
		<description><![CDATA[New: Featured on Mac Informer!  www.youtube.com/watch?v=HyXRwIMhMSw 1. Requirements: Intel Macintosh running OS X 10.5 or later (note: download from App Store requires OS X 10.6.6 or later) 2. Entering data without keyboard shortcuts: Each number box has three ways of entering data without using the keyboard shortcuts below. They are: 1) Clicking in the number [...]]]></description>
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		<slash:comments>9</slash:comments>
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		<title>Mozart Symphony #40 for melodica choir &#8211; mvt. 4</title>
		<link>http://jnote.org/2879</link>
		<comments>http://jnote.org/2879#comments</comments>
		<pubDate>Fri, 14 Oct 2011 10:34:45 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2879</guid>
		<description><![CDATA[www.youtube.com/watch?v=fUhMOqIU1W0 More info Higher quality mp3 More videos]]></description>
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		<title>Canzona 33 for 8 trombones by Tiburtio Massaino, arr: recorder octet</title>
		<link>http://jnote.org/2803</link>
		<comments>http://jnote.org/2803#comments</comments>
		<pubDate>Tue, 09 Aug 2011 07:11:49 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<category><![CDATA[Canzona]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2803</guid>
		<description><![CDATA[Get the sheet music! This is a new arrangement for recorder octet by James Howard Young Full score Choir I Choir II www.youtube.com/watch?v=Ejs89lQaP6I Canzona 33 for 10 recorders by Tiburtio Massaino (c. 1550 &#8211; 1609), arranged from the original for 8 trombones. This 1608 work is for two instrumental choirs. It features the tenor through [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Vivaldi: Concerto in b minor for 4 violins 3rd mvt. arr. for melodica</title>
		<link>http://jnote.org/2729</link>
		<comments>http://jnote.org/2729#comments</comments>
		<pubDate>Thu, 10 Mar 2011 18:47:37 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2729</guid>
		<description><![CDATA[www.youtube.com/watch?v=qXJEm7vUtT4 This is the third movement from the quadruple violin concerto in b minor from L&#8217;Estro Armonico of Vivaldi. As in the first movement, I have chosen to use an alto melodica for all parts. The video includes solo violin 1 through 4 clockwise from upper left. The orchestration breaks down like this: Solo: Vln [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Brandenburg Concerto 6 &#8211; 3 for 6 melodicas</title>
		<link>http://jnote.org/2683</link>
		<comments>http://jnote.org/2683#comments</comments>
		<pubDate>Mon, 16 Aug 2010 20:36:22 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
		<category><![CDATA[Video]]></category>
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		<category><![CDATA[Bach]]></category>
		<category><![CDATA[Brandenburg]]></category>
		<category><![CDATA[Concerto]]></category>
		<category><![CDATA[Melodica]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2683</guid>
		<description><![CDATA[www.youtube.com/watch?v=o6jbAt-xvyk The final movement of Bach&#8217;s 6th Brandenburg Concerto required a significant amount of arranging before it could be played on melodicas. There were several passages in the solo viola parts that needed to be moved, and most of the 2nd gamba part was out of the range of the alto melodica. In most cases [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Josquin: &#8220;La Spagna&#8221; for 5 alto melodicas</title>
		<link>http://jnote.org/2674</link>
		<comments>http://jnote.org/2674#comments</comments>
		<pubDate>Wed, 09 Jun 2010 20:45:05 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<category><![CDATA[Melodica]]></category>
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		<category><![CDATA[Renaissance]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2674</guid>
		<description><![CDATA[www.youtube.com/watch?v=N6sJHzNmq8k This is a 5-part consort piece written by Franco-Flemish composer Josquin des Prez, considered by many to be one of the most significant composers of the early Renaissance. Although this piece was written for a standard high to low consort distribution, I have chosen to adapt it for 5 equal instruments. For this performance, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vivaldi: Summer from The Four Seasons for One Melodica &#8211; 3. Presto</title>
		<link>http://jnote.org/2602</link>
		<comments>http://jnote.org/2602#comments</comments>
		<pubDate>Sat, 12 Dec 2009 20:43:51 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<category><![CDATA[Concerto]]></category>
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		<category><![CDATA[Vivaldi]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2602</guid>
		<description><![CDATA[www.youtube.com/watch?v=AvfN2OJ9F9I Arranged and performed by James Howard Young on Alto Melodica, overdubbed in 10 parts. Higher quality MP3 View in HQ on YouTube YouTube Playlist More Videos]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Bach Orchestral Suite #1 &#8211; Ouverture &#8211; for 9 melodicas played by one player</title>
		<link>http://jnote.org/2552</link>
		<comments>http://jnote.org/2552#comments</comments>
		<pubDate>Sat, 28 Nov 2009 01:03:42 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2552</guid>
		<description><![CDATA[www.youtube.com/watch?v=DpP8z_Xi1ns This arrangement uses alto and bass melodicas. The scoring looks like this: Oboe I: alto melodica Oboe II: alto melodica Bassoon: bass melodica Violin I: alto melodica Violin II: alto melodica Cello / Bass: bass melodica Keyboard continuo: alto melodica Apologies for the out-of-focus moments. I got a new HD webcam which I am [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Mozart Symphony #40 for 15 Melodicas &#8211; and 100 Subscribers! &#8211; First movement</title>
		<link>http://jnote.org/2501</link>
		<comments>http://jnote.org/2501#comments</comments>
		<pubDate>Sun, 08 Nov 2009 16:31:33 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2501</guid>
		<description><![CDATA[www.youtube.com/watch?v=4xeRKAsuRss I was looking for a big project to mark 100 subscribers to my YouTube account (thanks everyone!) and I immediately thought of the first movement from Mozart&#8217;s Symphony no. 40 since it&#8217;s complex in scope but still Classical in the way the voices are treated meaning it&#8217;s not impossible to transcribe. I&#8217;ve condensed all [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Brandenburg Concerto no. 1-1 for 12 melodicas, performed by one player</title>
		<link>http://jnote.org/2450</link>
		<comments>http://jnote.org/2450#comments</comments>
		<pubDate>Thu, 29 Oct 2009 10:13:41 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2450</guid>
		<description><![CDATA[www.youtube.com/watch?v=OYGVDzykaxQ The first movement Allegro from Bach&#8217;s Brandenburg Concerto number 1 is built upon the conversational interplay among the 4 instrument groups: horns, reeds, high strings, and continuo. Bach mixes and matches them in all possible ways in between their simultaneous presentation and dismissal at the works beginning and end. It was therefore important for [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>1812 Overture on Violin and Melodica alone &#8211; Arr. Cliff Bernzweig</title>
		<link>http://jnote.org/2371</link>
		<comments>http://jnote.org/2371#comments</comments>
		<pubDate>Tue, 20 Oct 2009 16:20:35 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2371</guid>
		<description><![CDATA[www.youtube.com/watch?v=JmS7fKEE_nA This is the online premiere of Tchaikovsky&#8217;s 1812 Overture arranged for violin and melodica solo by Cliff Bernzweig. No multitracking has been done; in other words, both parts are played as is. This was lots of fun to play, and was recorded in one day using an Olympus portable dictaphone that was then used [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vivaldi: Concerto in b minor for 4 violins arr. for 1 melodica in 9 multitrack parts</title>
		<link>http://jnote.org/2290</link>
		<comments>http://jnote.org/2290#comments</comments>
		<pubDate>Mon, 05 Oct 2009 21:15:21 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<category><![CDATA[Concerto]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2290</guid>
		<description><![CDATA[www.youtube.com/watch?v=uo__oeLrcr0 I have here chosen to use only one melodica for all 9 parts of Vivaldi&#8217;s b minor quadruple violin concerto from L&#8217;Estro Armonico. This means that all parts are constrained within 3 octaves. This has no effect on the violin parts, little effect on the viola parts (of which there are 2) and pretty [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Vivaldi: L’Estro Armonico Concerto no. 8 in a minor for 2 violins 1st mvt – arr. for 7 melodicas</title>
		<link>http://jnote.org/2262</link>
		<comments>http://jnote.org/2262#comments</comments>
		<pubDate>Sun, 27 Sep 2009 17:59:12 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2262</guid>
		<description><![CDATA[www.youtube.com/watch?v=yttUl0yI2hs For my second Vivaldi arrangement, I only needed to rewrite a small segment of the solo First Violin part, due to problems transferring the distinctive bowed patterns to a keyboard instrument.  I also encountered 4 high F&#8217;s in the Cello part that I needed to cover on the Alto Melodica (my Bass doesn&#8217;t go [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vivaldi: L&#8217;Estro Armonico Concerto no. 8 in a minor for 2 violins 3rd mvt &#8211; arr. for 7 melodicas</title>
		<link>http://jnote.org/2230</link>
		<comments>http://jnote.org/2230#comments</comments>
		<pubDate>Fri, 25 Sep 2009 09:30:45 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2230</guid>
		<description><![CDATA[www.youtube.com/watch?v=JT2atp6WHLc This is the first non-Bach video that I have done with multiple melodicas, but since Bach rewrote this piece for organ, it still retains some connection to him. I have chosen to use Vivaldi&#8217;s original though, since the writing for two solo violins, two tutti violins, viola, and continuo has more of an ensemble [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Brandenburg Concerto 3-1 with 10 melodica tracks and live video for 9 parts</title>
		<link>http://jnote.org/2014</link>
		<comments>http://jnote.org/2014#comments</comments>
		<pubDate>Mon, 14 Sep 2009 21:21:44 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=2014</guid>
		<description><![CDATA[www.youtube.com/watch?v=Dc2Y6RhY8gg With 10 solo parts divided into three trio groups and continuo, this semi-lengthy movement required the use of at least 9 individual video tracks in order to make it work. Because of the natural size restrictions that embedded video presents, I needed to make three sets of individual movies with 3 soloists each and [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Brandenburg Concerto 4-3 arranged for 7 melodica parts and performed by one player</title>
		<link>http://jnote.org/1869</link>
		<comments>http://jnote.org/1869#comments</comments>
		<pubDate>Wed, 26 Aug 2009 14:43:09 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
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		<category><![CDATA[Recorder]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=1869</guid>
		<description><![CDATA[www.youtube.com/watch?v=_YE3akDmw9Q This is the first Bach project that can accurately be called an arrangement.  There are several elements in Bach&#8217;s brief yet jubilant finale from the Fourth Brandenburg Concerto that are problematic for the purposes of direct transcription.  First, the solo violin part is exceptionally virtuosic, with long roulades and distinct bowed arpeggios.  This doesn&#8217;t [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>How to use the Alesis IO26 with Logic Pro 7 without getting distortion, dropouts, and ultimately having the thing die on you</title>
		<link>http://jnote.org/1861</link>
		<comments>http://jnote.org/1861#comments</comments>
		<pubDate>Thu, 20 Aug 2009 21:34:16 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Tutorials]]></category>
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		<guid isPermaLink="false">http://jnote.org/?p=1861</guid>
		<description><![CDATA[After two months of problems, I&#8217;ve finally figured out why my Alesis IO26 would die after 10 minutes of use with Logic Pro. It turns out that the device is very fussy &#8211; no surprise there. A call to a very helpful &#8220;Andy&#8221; at customer service got me going in the right direction. Thanks, Andy. [...]]]></description>
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		<slash:comments>27</slash:comments>
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		<item>
		<title>Golden Mean Finder: A Max/MSP standalone that lets you see the Golden Mean of any sound file graphically</title>
		<link>http://jnote.org/1836</link>
		<comments>http://jnote.org/1836#comments</comments>
		<pubDate>Mon, 10 Aug 2009 08:29:10 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Software]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Freeware]]></category>
		<category><![CDATA[Hacks]]></category>
		<category><![CDATA[Leopard]]></category>
		<category><![CDATA[Macintosh]]></category>
		<category><![CDATA[Max/MSP]]></category>
		<category><![CDATA[OSX]]></category>

		<guid isPermaLink="false">http://jnote.org/?p=1836</guid>
		<description><![CDATA[The Golden Ratio (or Golden Mean) is an area indicated by a proportion based on the Fibonacci series [more info]. Since the Renaissance (and likely before), artists, architects, and composers have been aware of the importance of the Golden Mean and have used it in numerous works. Therefore, it&#8217;s only natural that we should be curious as [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Contrapunctus 9 from The Art of the Fugue for Low Recorder  multitrack consort, plus overdubbed video</title>
		<link>http://jnote.org/1706</link>
		<comments>http://jnote.org/1706#comments</comments>
		<pubDate>Thu, 11 Jun 2009 15:22:40 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Online Performances]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Bach]]></category>
		<category><![CDATA[Fugue]]></category>
		<category><![CDATA[Multitrack]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://jnote.org/?p=1706</guid>
		<description><![CDATA[In this Fugue from &#8220;The Art of the Fugue&#8220;, Bach shows us what he can do with a theoretical countersubject. It&#8217;s theoretical because he starts the piece without the presence of the actual subject known so well from the rest of the book. Then, he introduces this real subject (in sustained half notes &#8211; see [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Delay Sound Player for Max/MSP: Lets you delay the start of a playback sound file using custom times</title>
		<link>http://jnote.org/1692</link>
		<comments>http://jnote.org/1692#comments</comments>
		<pubDate>Thu, 11 Jun 2009 13:20:40 +0000</pubDate>
		<dc:creator>Jaems</dc:creator>
				<category><![CDATA[Software]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Freeware]]></category>
		<category><![CDATA[Macintosh]]></category>
		<category><![CDATA[Max/MSP]]></category>
		<category><![CDATA[OSX]]></category>

		<guid isPermaLink="false">http://jnote.org/?p=1692</guid>
		<description><![CDATA[We&#8217;re used to cameras and video cameras having a timer function, but sometimes it&#8217;s useful to put the start of a sound file on a timer. Delay Sound Player let&#8217;s you do just that. It&#8217;s like having a timer function for sound file playback. The patch is simple: drag and drop your file into the [...]]]></description>
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		<slash:comments>0</slash:comments>
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